The DC Studios logo is placed in a rainy Gotham alley
Plot
Following the events of Batman (2022), Oz Cobb, aka The Penguin, attempts to take over Gotham’s criminal underworld. From melting makeup to filming in freezing temperatures, Colin Farrell and Cristin Milioti discuss what it was like to get into their roles during the production of The Penguin. Colin Farrell fought hard to get his version of The Penguin to smoke tobacco in Batman (2022), but he was unsuccessful. However, in his own series, the character is portrayed as an occasional tobacco user, preferring cigars. The umbrella falls and the logo changes to the Warner Bros.
Appears in Graham Norton and guests: Lady Gaga/Demi Moore/Colin Farrell/Richard Ayoade/Jack Savoretti (2024)
logo. HBO’s new The Penguin spin-off series Matt Reeves' The Batman (2022), is a thrilling dive into Gotham City’s criminal underworld. Directed by Colin Farrell as the titular character Oswald Cobblepot, aka The Penguin, the series expands on the dark, noir tone established by the film and offers fans a fresh yet familiar experience in the Batman universe. Unlike most superhero content, The Penguin focuses on the darker, more human elements of Gotham’s criminals, moving away from the caped crusader to shed light on the rise of one of Batman’s most iconic foes. Set immediately after the events of The Batman, the series explores The Penguin’s journey to fill the power vacuum left in Gotham’s criminal empire.
Colin Farrell’s performance Colin Farrell’s portrayal of Penguin is simply extraordinary
Following the death of Carmine Falcone and chaos in Gotham’s infrastructure, The Penguin seizes the opportunity to climb the ranks, determined to take control of the city’s crime syndicates. His transformation from underling to crime boss is the main focus, giving Penguin a mob drama feel more akin to The Sopranos than a traditional superhero show. The series wisely avoids relying too much on Batman’s shadow, allowing Penguin to truly shine as the protagonist. Without the overpowering presence of Gotham’s protector, it creates a new and interesting dynamic in which Oswald is free to operate in a morally ambiguous space. This narrative shift feels fresh for the genre and adds depth to Gotham’s crime world without becoming too focused on superhero spectacle.
Farrell adds layers to the character, going beyond the stereotypical portrayal of a villain
Physically unrecognizable in his prosthetic makeup, Farrell fully inhabits the character with a nuanced performance that balances the brutality of a mob boss with the insecurity and ambition that drives him. Penguin is no longer just a caricature of a deformed villain with an umbrella; Instead, he’s portrayed as a ruthless, calculating player in Gotham’s criminal hierarchy, which makes him both terrifying and strangely likeable. His Oswald Cobblepot is cunning, manipulative, and ready to break bones, but he’s also a man driven by a deep-seated inferiority complex and a thirst for respect. Watching him navigate the treacherous waters of Gotham’s criminal world is fascinating, and provides a grounded approach to the character that makes The Penguin a compelling character study. Dark Atmosphere and Tone In terms of atmosphere, The Penguin maintains the same dark and rainy aesthetic that fans have come to love in The Batman.
The tone of the series is grim, gritty, and tense, reminiscent of neo-noir crime thrillers
The dark, crime-ridden streets of Gotham are beautifully filmed, with an emphasis on realism over comic book extravagance. Every scene is permeated with the corruption and decay of Gotham, and it seems that danger lurks in every shadow. The production design is top-notch, with set pieces that feel like a natural extension of Reeves’ Gotham City. Segregious clubs, run-down alleys, and opulent crime lord mansions all add to the series’ immersive nature.
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